The Importance of Being Astonished

5 January 2011 | Theatre  | New York Times  | 


By BEN BRANTLEY | January 5, 2011

LADY BRACKNELL, that unbending arbiter of social correctness, would surely not approve of Brian Bedford, who portrays her in his new production of “The Importance of Being Earnest” at the American Airlines Theater.

It’s not just that Mr. Bedford, born to an English postal worker and an Irish factory weaver in a Yorkshire market town, grew up far from anywhere Lady Bracknell might consider a fashionable address. Her Ladyship, you see, likes people to fit snugly into categories, and Mr. Bedford is quite unclassifiable.

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Sara Krulwich/The New York Times | Brian Bedford, left, as Lady Bracknell and Charlotte Parry as Cecily Cardew in the latest Broadway revival of "The Importance of Being Earnest".
By BEN BRANTLEY | January 5, 2011

LADY BRACKNELL, that unbending arbiter of social correctness, would surely not approve of Brian Bedford, who portrays her in his new production of “The Importance of Being Earnest” at the American Airlines Theater.

It’s not just that Mr. Bedford, born to an English postal worker and an Irish factory weaver in a Yorkshire market town, grew up far from anywhere Lady Bracknell might consider a fashionable address. Her Ladyship, you see, likes people to fit snugly into categories, and Mr. Bedford is quite unclassifiable.

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Brian Bedford, Charlotte Perry, New York, Oscar Wilde, The Importance of Being Earnest, Theatre

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